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This page contains an overview of my work in sound and music. There is a separate list of pieces, with links to program notes and so on for each piece.
Overview of musical workAs noted in my biographical notes, my entry to composition was essentially through computer sound synthesis, though I had sung in choirs for many years. In fact I began by writing more or less conventional music, with some use of synthesisers. Initially I felt that creating purely abstract computer music was very difficult, aesthetically as much as technically. My first pure computer music composition was Parabolic Monody (Solo for Heebiephone). This was an algorithmic piece; the use of algorithms has been important in my compositions from early on. With hindsight I can see four strands or tendencies in my music so far. The first and strongest is the use of algorithms or generative procedures. I have written an article about my experiences with these, up to the year 2000. My recent work is very generative in character. The second strand is writing for live performers, often with a tape part as well. I had a connection to the classical music world through singing in choirs, and my association with the University of Sydney Music Department strengthened this, and gave me the opportunity to collaborate with a number of musicians. My studies for the Diploma in Composition were predominantly about instrumental writing. My pieces for instrumentalists have been largely intuitively composed, though sometimes there has been an algorithmic element at one level or another. A third, minor, strand is the construction of tape collages of recorded sounds, usually with an element of humour. All three of the strands mentioned so far came together in my piece Many Worlds Theory for harpsichord and tape. The fourth strand is the use of abstract images, computer-generated (or mechanically generated in the case of Red Grains). This work falls to some extent in the category "visual music". My comments on work with images are on another page.
To list of pieces
© Gordon Monro 2005-7. Last
modified: January 26, 2007. |